But the tactic backfired catastrophically. Instead of audiences queueing round the block of the Apollo West End in Piccadilly Circus, London, to see the star of Pulp Fiction and Kill Bill, they stayed away in record-breaking numbers.
Over its opening weekend, no more than a dozen people went to see Motherhood, a semi-autobiographical account of stressed-out Manhattan parenting written and directed by Katherine Dieckmann. The film made just £88 on the weekend of Friday 5 March. On its debut Sunday, box office takings were £9, meaning one person bought a ticket.
жесть.