@темы: отряд: ленивые задницы

@темы: просто

@темы: покупки, отряд: ленивые задницы, мендоксе, Погода, учеба

@темы: отряд: ленивые задницы

@темы: мысли, бред, просто

@темы: хаус

@темы: моск-опять-тютю, отряд: ленивые задницы, мендоксе, мозг мертв, мозг замерз, мозг при смерти, просто, учеба

Почему про что бы я не писала, везде Лост? Хотя чего я спрашиваю вообще...

Lost in franchising
Despite generic differences, Lost shares with Gossip Girl an embrace of serialized narratives and modes of production. The evolving narrative love triangles (and quadrangles) among Jack, Kate, Sawyer, and Juliet on Lost function similarly to the ‘soapy’ shuffling of romantic relations among Serena, Nate, Blair, Chuck, Dan, Vanessa, and Jenny on Gossip Girl. Moreover, both resist closure at the level of the individual episode to motivate continued consumption of the television series as well as ancillary narratives told in other media. The unknown identity of the titular Gossip Girl blogger, for example, presents an ongoing narrative enigma whose resolution would likely signal the end of the series, and in the meantime motivates the speculation and investigation of dedicated viewers (‘Who am I?’ the blogger’s voice teases in the opening credits, ‘That’s one secret I’ll never tell’), quite similar to the unresolved narrative enigma Lost presented viewers at the conclusion of its pilot episode (‘Guys … where are we?’). These unresolved narrative enigmas also drove the ongoing production of content for both series outside of television, with the Dharma Initiative mystery offering narrative rationale for the multimedia production of The Lost Experience alternate reality game in 2006, and the Gossip Girl blog format driving the production of web content posted several times per week on the CW’s webspace.

сириасли?

@темы: lost, учеба

@темы: просто, тв